A linguistic and discursive analysis of the humour in Arabic novels written in vernacular: examples of e-Arabic genre

This research examines the linguistic features of humor and satire within a contemporary literary genre known as e-Arabic literature. It explores how the use of Information Technology and Computer-Mediated Communication (CMC) has influenced Arabic culture and its literary landscape, specifically focusing on the emergence of this new genre. The study positions e-Arabic literature as a subfield of humor within Arabic literature, contributing to theories of humor and highlighting e-Arabic as a new variety of Arabic within the broader context of CMC. The research investigates how Arabic writers use satire and humor to raise awareness of social and political issues in their cultures. It also analyzes the specific use of rhetorical questions, interrogative phrases, and punctuation in crafting unique and creative humorous and satirical writing styles. Furthermore, the research delves into the factors contributing to the popularity of political satire in e-Arabic literature and its potential impact on societal change. Data is drawn from novels originating from Saudi Arabia, Egypt, and Syria, written in various Arabic vernacular dialects. The findings indicate a significant use of satirical and humorous discourse in these vernacular novels, often linked to critiques of religious institutions and political systems. The study identifies linguistic tactics like juxtaposition, contradiction, and implausibility as key devices employed by writers to generate humor and construct satirical criticism.

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What is the focus of this PhD research?

This research examines the linguistic and discursive features of humor and satire in e-Arabic literature, specifically in novels from Saudi Arabia, Egypt, and Syria written in vernacular dialects. It explores how Information Technology and Computer-Mediated Communication (CMC) have influenced Arabic literary humor.

What is e-Arabic literature?

E-Arabic literature is positioned as a subfield of humor within Arabic literature, influenced by Information Technology and Computer-Mediated Communication. This study highlights it as a new variety of Arabic within the broader CMC context.

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This record is for a completed PhD thesis. For information on how to apply for a PhD at the University of Birmingham, prospective candidates should visit the university's postgraduate admissions website.

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