Raconter l’histoire du théâtre

This program, 'Raconter l’histoire du théâtre' (Telling the History of Theatre), delves into the methodologies and challenges of researching and narrating the history of theatre. It moves beyond traditional literary histories focused solely on canonical works and authors, incorporating influences from cultural history, gender studies, and post-colonial studies. The program explores how new research approaches expand the scope of theatrical history, giving voice to previously marginalized figures and practices. It examines the evolving definitions of theatrical studies and how interdisciplinary perspectives reshape our understanding of theatre's past. The volume, comprising academic studies, interviews, and a play, critically examines how theatre history is constructed. It investigates the role of various actors in shaping historical narratives, from academics and critics to artists and practitioners. The program also scrutinizes the impact of different media and formats (dictionaries, treatises, journals, graphic novels, memoirs) on the presentation and memory of theatrical history. It questions the influence of geopolitical factors and ideological frameworks on historical accounts of theatre, encouraging a more nuanced and inclusive approach to the subject.

Curriculum

The program is structured into two main parts, exploring various facets of theatre historiography and the political dimensions of theatre history.

1. Part 1: The Theatre Historian, Their Identity, Methods, and Sources
   • The Theatre Man as Historiographer
   • Raconter les acteurs italiens : les _Notizie istoriche de’ comici italiani_ de Francesco Bartoli
   • Alexandre Dumas, artisan de la légende romantique à la Comédie-Française
   • L’écriture de l’histoire des théâtres lyriques parisiens entre 1847 et 1913
   • Gaston Baty, historien du théâtre ou comment légitimer la mise en scène en écrivant une autre histoire du théâtre
   • SOURCES VIVES: Raconter l’histoire du spectacle par les images, l’exemple de l’école italienne
   • Régimes de l’historiette. (D’)écrire la « vie théâtrale » dans la littérature de coulisses en 1900
   • Table ronde: Temporalités du récit, points de vue
   • LE THÉÂTRE HISTORIEN DE LUI-MÊME: Chanter l’histoire des théâtres parisiens au xviiie siècle : enjeux et usages du vaudeville
   • Table ronde: Raconter l’histoire du théâtre par les planches
2. Part 2: Theatre History as a (Geo)political Work?
   • IDÉALISATIONS ET RÉCIT NATIONAL: Une figure tutélaire dans l’histoire du théâtre : l’exemple de Richelieu
   • Une comédie française à Londres au xviiie siècle, ou l’échec érigé en mythe patriotique
   • L’« âge d’or » dans les manuels scolaires : un exemple de storytelling historiographique aux xixe et xxe siècles
   • Jean Vilar, ce héros, ce ringard : un mythe biface du théâtre populaire
   • En finir avec l’héroïsation des metteurs en scène ? Quelques réflexions à partir du cas de Jean Dasté
   • Broadway, machine à mythes
   • L’HISTOIRE DU THÉÂTRE COMME INSTRUMENT IDÉOLOGIQUE: L’histoire comme arme : enjeux stratégiques de l’historiographie française dans les querelles théâtrales du xviie siècle
   • L’_Histoire du théâtre dessinée_ d’André Degaine : une vision téléologique de l’histoire au service des idéaux du théâtre populaire
   • Au service de l’État. Les réécritures politiques de l’histoire du théâtre iranien
   • Pour une historiographie décoloniale du théâtre irlandais
   • Lecture-spectacle : L’Impromptu de l’Amphi

Careers

While this program focuses on the historiography of theatre, the skills developed in critical analysis, research, and historical interpretation are transferable to various academic and professional fields.

• Researcher in Theatre Studies
• Archivist
• Cultural Historian
• Academic
• Critic
• Curator

Frequently asked questions

What is the 'Raconter l’histoire du théâtre' program about?

This program delves into the methodologies and challenges of researching and narrating the history of theatre, moving beyond traditional literary histories to incorporate interdisciplinary perspectives and give voice to marginalized figures and practices.

What are the tuition fees for this program?

The program is an open-access publication and is available for free download, so there are no tuition fees.

How can I apply for this program?

As this is an open-access publication, there is no formal application process for a degree. You can access and download the full publication for free from the Sorbonne University website.

What kind of careers can this program lead to?

Skills developed in critical analysis, research, and historical interpretation are transferable to roles such as a Researcher in Theatre Studies, Archivist, Cultural Historian, Academic, Critic, or Curator.

What is the structure of the program's content?

The program content is structured into two main parts: 'The Theatre Historian, Their Identity, Methods, and Sources' and 'Theatre History as a (Geo)political Work?' It includes academic studies, interviews, and a play.